Wed. Jul 30th, 2025

Lella Costa: The Theatrical Lens on Italy’s Sporting Soul

In a world often consumed by statistics and fierce rivalries, Lella Costa, the esteemed Italian actress and writer, offers a refreshingly nuanced and often ironic perspective on the realm of sport. Far from being a mere spectator, Costa delves into the human narratives, cultural intricacies, and societal reflections embedded within every game, race, and match.

Lella Costa smiling, looking thoughtful

The Unscripted Drama: Lella Costa`s Human-Centric Sport Philosophy

Costa`s approach to sport is, predictably, less about the athletic feat itself and more about the compelling stories behind the individuals. She candidly admits to engaging in physical activity only “the bare minimum,” finding it “a bit counter-natural” at times. Yet, her disinterest in strenuous exercise belies a profound fascination with the human element. For Costa, the true spectacle lies in the courage, resilience, and personal journeys that underpin every athletic gesture. It`s a view that transforms a simple match into a dramatic performance, echoing her own theatrical roots.

Her unique lens is perhaps best encapsulated by a classic joke, attributed to Massimo Cirri and Sergio Ferrentino, which she once featured in a 1992 show. It posits a whimsical explanation for the communication gap between men and women: in the Garden of Eden, Adam, yearning for something pink, was gifted Eve by God. However, what he truly desired to keep him company on those splendid mornings was, in fact, “Gazzetta dello Sport.” This anecdote, delivered with a chuckle, perfectly sets the stage for Costa’s amusing yet incisive observations on the cultural significance of sport.

Breaking Down Barriers: The “B-List” Perception of Women`s Sports

While acknowledging the positive strides made in women`s sports, Costa doesn`t shy away from highlighting the persistent inequities. She perceptively notes a lingering societal perception that women`s athletics are inherently “lesser.” It’s the perennial “rib” argument, she quips, suggesting female sports are seen as a derivative of the male domain, struggling to establish their own distinct identity. The linguistic evidence, she argues, is telling: one must always specify “women`s football” or “women`s cycling,” implying the male version is the default. “It`s as if we are perpetually in Serie B,” she states, despite institutions increasingly focusing on gender parity.

Yet, Costa is also a staunch advocate for celebrating female excellence. In her acclaimed show and book, “If I Can`t Dance… It`s Not My Revolution,” she dedicated a significant portion to 102 great women, including numerous sportswomen. She proudly opens her narrative with Wilma Rudolph, the American sprinter who, despite being told she would never walk due to polio, went on to win three gold medals at the 1960 Rome Olympics. Such stories, Costa asserts, are powerful testaments to female strength and deserve far greater prominence.

The Inter Heartbeat: A Measured Love Amidst the Roar of Fandom

Costa`s foray into the passionate world of Italian football is not inherited but self-chosen. Her allegiance to Inter Milan blossomed from a deep connection with Massimo and Milly Moratti, whom she describes as “special people.” This bond, forged during Inter`s glorious “Triplete” era, cemented her affection for the Nerazzurri colors. However, her fandom is tempered with a thoughtful critique of fan culture. While appreciating the “healthy passion” and “sense of belonging,” she expresses grave concern over the “shameful and worrying things” that unfold on streets and in stadiums every Sunday.

This is the masculine way, because female fans remain a small percentage, of considering any form of confrontation as war. We need to reflect on this.

Her commentary underscores a broader societal issue, suggesting that sports, when viewed through a lens of extreme rivalry, can become a microcosm for more destructive impulses. Despite a somewhat disappointing past season for Inter, Costa admits she didn`t lose sleep over it, demonstrating a level of detachment that is rare in the fervent world of Italian football. Her admiration, however, remains steadfast for figures like Javier Zanetti and Giacinto Facchetti, exemplary leaders and athletes, and a soft spot for the “insanely likeable” Boninsegna.

Charisma vs. Performance: A Tennis Racket of Personalities

Jannik Sinner playing tennis

Tennis also holds a special place for Costa, though she finds the modern game`s intensity “astonishing.” When it comes to Italy`s rising star, Jannik Sinner, she delivers an observation that might raise an eyebrow or two among the fiercely loyal fanbase. While readily acknowledging Sinner`s immense talent, she playfully admits, “I can`t say I find him particularly likable, even if I know I`m exposing myself to national shame.” This refreshingly honest, slightly mischievous take highlights her preference for certain human qualities that transcend mere athletic prowess.

This is where Adriano Panatta, the charismatic tennis legend, enters the frame. Having met him after his career, Costa describes him as an “irresistible, witty, and intelligent man” with whom she`d “immediately go on vacation.” The contrast is subtle yet clear: while Sinner commands respect for his formidable skill, Panatta captivates with his effervescent personality. For Costa, charm, wit, and a certain human warmth can be just as compelling as a blistering forehand.

A Different Kind of Game: Costa`s Contributions and Revered Figures

Costa`s distinctive perspective once found a home within the pages of Gazzetta dello Sport itself, invited by the late Candido Cannavò. Contributing alongside sports luminaries like Dan Peterson and Julio Velasco, her articles offered a unique, non-traditional viewpoint. She holds particular reverence for Velasco, not just as a volleyball coach, but as a “leader” whose ability to approach life and discussions with lightness left a lasting impression. Other memorable encounters include the “wonderful” and elegantly captivating tennis player Lea Pericoli, and the truly “fantastic person,” Alex Zanardi, whose spirit deeply moved her.

Beyond the Arena: A Philosophy for Modern Life

Lella Costa’s musings on sport extend far beyond the boundaries of competition. She sees the arena as a stage where humanity`s triumphs and follies are played out. Her insights challenge us to look past the superficial scores and delve into the deeper narratives of gender, character, and societal conduct. In a world increasingly polarized, her call for a “moderated” fandom and an appreciation for diverse personalities, regardless of perceived charisma, offers a valuable playbook—not just for sports, but for navigating the complexities of modern life itself.

By Rupert Hartwell

Rupert Hartwell, 34, is a passionate sports columnist based in Manchester. Starting his career as a local football reporter, he expanded his expertise to cover NHL and UFC events. Known for his sharp analytical pieces and in-depth interviews with rising stars, Rupert has built a reputation for spotting emerging talents across different sports.

Related Post